Painting and Collage

Here's a glimpse behind the process.

My work begins like a quiet storm—layered, intentional, and full of motion. I build each piece from the ground up, starting with a series of painted strata that act like geological layers, each one capturing a different mood or technique. Once the surface holds enough tension and texture, I introduce a collaged element—often a painted fragment that feels like a relic or a whisper from another world. This becomes the heart of the composition.
Around it, I orchestrate a series of embellishments: shimmering gold flecks that catch the light like memory, paint spatters that suggest urgency or unrest, and detailed shading that anchors the collage in its environment. These touches aren’t decorative—they’re emotional punctuation. I finish the piece with layered sealants that give the work its final skin, preserving its complexity while inviting the viewer to look deeper.
My process is both intuitive and structured, allowing me to embed meaning into every phase. Whether I’m channeling the raw energy of protest art or the surreal symbolism of magical realism, each piece is designed to speak in layers—visually, emotionally, and politically.